Since Phil Mushnick has to grind out his column every Monday, Friday and Sunday, and that’s not counting the TV columns for Sunday, he HAS to have trouble from time to time finding topics to tee off on. With that said, I have a few that I’d like him to tackle, although I realize he may be somewhat ideologically opposed to some of them:
(1) Do the Mets tend to indulge over-celebrators? Why will K-Rod just be seen as one in a long line of this? Why was Milledge punished for doing what all the others have been doing for ages?
(2) Why is Darryl Strawberry this big Met hero? Why is it ok for him to be in recovery and yet revel in his (and the Mets’) bad-boy past? Why do the Mets keep hiring him and having him around?
(3) Why is it so loud at big league ballgames? How loud will CitiField be? Do baseball fans really pay big money to have their eardrums bleed? WHERE are the fans that think this noise adds to the experience? Could the Mets host a handful of “quiet games” on the schedule? You know, like it was 1908–NO PA at all. Have guys in straw boater hats walk up and down the foul lines with old-fashioned megaphones and announce the substitues. Ask the fans how they liked it. I know, I know, asking the Mets to go 24 hours without a Salsa or Ranchero band is a tall order, but can we just TRY it?
(4) How about making fun of that ESPN guy who does the announcements: [Super cool guy scratchy voice] “…Brought to you byyyy, blahblah”. Can you imagine if you talked that way at work?
(5) With all of his crying about how Bud Selig sold out MLB to TV interests, how about an expose on MLB prices and how much influence George M. Steinbrenner has had on them? I don’t think the average fan understands just how ridiculous the Yankee spending has been over the years. How childish. But it affects us all because all prices are higher because of it–perhaps by as much as 25% across the board. But it’s excused because they don’t win it all every year–that is supposed to make it all ok. If I hear one more Yankee fan tell me how Pittsburgh is just “pocketing” all that revenue share money, I’m going to be sick!
But on this item, I don’t think a NY writer would have the guts to go after the Yankees, because, after all, who is buying these tabs? Uber-Yankee fans mostly. And they don’t want to see their team ripped this way.
(6) Mushnick is all over the big, bloated ego of Mike Francesa but what about the ridiculous anti-Met stuff that pours out of him. Why are the Mets so willing to have the key guy at their flagship station just brutalizing them every day to a huge audience? That’s dumb. I’d raise heck and threaten to pull out of the deal. Even if I wasn’t successful, I would want my fanbase to know that this guy hates them and you probably shouldn’t listen to him. Ditto Michael Kay, who WORKS for the bloody Yankees and yet tries to act like an impartial journalist. How, exaclty, does that work?
Tell us again boys, what a boy-scout Andy Pettite was for “coming clean” on HGH. He didn’t take any PED questions at his “press conference” after his statement, but that’s ok, isn’t it? hahahah. Go get them, Phil.
(7) As a corollary to #5, I’d add this topic: Gambling is illegal in baseball because the most dangerous thing is for the public to feel that the games are rigged. Then, the logic goes, they won’t buy tickets (TV subscriptions etc.). So Rose and Joe Jackson go out for life.
But the Yankees pay their squad 100 million dollars over the league mean and that’s somehow ok? Nothing rigged about a Yankee game, is there? I guess, folks just like it that way. They like to root on the bully when he beats up the nerdy kid in the playground. They never tire of it. But really, when year after year, the Yankees play teams that pay their squads 1/5th what they do; how is that “contest”, a fair contest?
It isn’t. But it’s ok. Just don’t gamble, got it? –Fog



They were viewed in a viewer that looked like this:
The slides were available as canned, commercially produced photos of current events and famous places and landmarks. Think GAF-viewmaster from the 1970’s:
All you need is the ability to take TWO images simultaneously, one interpupillary distance apart. Now if you search for these things, you will only find, I believe, film cameras from yesteryear. There doesn’t seem to be any digital stereo cameras available. There are a couple of guys who have hacked together two digital cameras, but the hack is never simple and the mounting and alignment is never easy. Both lenses have to point at the same focal point out in space, or the pictures will look hokey–like mine!

